Over 300 photos of Keira’s first post-pregnancy (congratulations to Keira and James!) red carpet appearance have been uploaded to our gallery. Looking beautiful in a white Simone Rocha gown, she walked the red carpet at the BFI London Film Festival alongside the cast and crew of Official Secrets, as well as Katharine Gun (who Keira potrays in the movie).

Ahead of its U.S. release later this month, I’ve updated the gallery with a batch of new images from Keira’s role as British whisteblower Katharine Gun in Official Secrets-which also stars Matthew Goode, Ralph Fiennes and Matt Smith. Enjoy!

On Friday (May 3), Keira and husband James Righton attended the Chanel Cruise 2020 Collection Presentation at the Grand Palais in Paris. The show marked the debut solo collection of Virginie Viard, who is the fashion house’s new artistic director following the death of Karl Lagerfeld in February. The appearance has also confirmed recent rumors that Keira is pregnant with her second child – and we couldn’t be happier for her and James! Many congratulations 🙂

To coincide with the film’s US release, Keira was in New York earlier today for various press stops to promote The Aftermath. First up, BUILD Series, where she appeared alongside director James Kent. I’ve added some photos to the gallery, so be sure to take a look.

Prior to the London premiere on Monday, Keira attended the press conference for The Aftermath at the Dorchester Hotel. Photos have been uploaded to the gallery. Enjoy!

On Monday night (Feb 18), Keira attended the London (and world) premiere of The Aftermath – joined on the red carpet by co-stars Alexander Skarsgård and Jason Clarke. Dressed in a Chanel dress from the 2004 collection, the look was an unintentional tribute to legendary fashion designer, Karl Lagerfeld who died shortly after the premiere.

We’ve updated the gallery with some new stills from Keira’s upcoming role in The Aftermath, which is released on March 15 (US) and March 1 (UK), respectively. From everything shown so far, the film looks to be another strong entry in Keira’s expanding résumé of period pieces.